Dear extended musical family,
Might want to pour a glass of something
good and settle in.
You know me.
Karin and I have been writing songs
together for over 20
years now and recently celebrated our 16th wedding
anniversary. You
would think that after so long there would not be many “firsts”
left to
experience. And yet we are finding that is not necessarily so.
In early 2010, for the first time, we
approached all of you with
the idea of making a record together. Rather than borrowing
money from a label,
we all placed our bets on the muse, so to speak, and pitched in
sight-unseen to
hopefully offer the world the gift of something beautiful,
textured, real – and
with wild edges.
Over 2000 of you responded, and the record
we all made was
called, The Long Surrender. Karin and I gathered for five days
on the West
Coast with producer Joe Henry, and a group of world-class
musicians. We leaned
into the songs and let them reveal themselves with few
preconceived notions. It
felt like all of you had bestowed a blessing on us in advance,
and we hoped
everyone who heard the songs would feel that.
We all wanted to be surprised. We caught
and released
something together and sure enough, doors started opening.
We were encouraged when USA Today, The LA
Times and NPR’s
All Things Considered (to name a few) ran strong reviews or
features of The
Long Surrender on the day it was released. Many more followed.
Apparently our
group effort could pack a punch.
We began performing the songs around the
country, and for
the first time, Karin and I received an invitation to perform in
Japan. We
arrived shortly after the devastating tsunami, and offered songs
like “All My
Favorite People” and “Undamned” to people who had no words for
the immensity of
the tragedy that had breached their shores. Songs feel different
in those
situations. Suddenly, music feels strangely valuable and
vibrates with a
currency all its own. Songs can help us take a few steps toward
healing. Songs
are safe containers for the best and worst that life has to
offer. It was an
important trip for us. (As we write this, we view the images
from the massive
storm that recently hit the East Coast of the USA. We all want
to do what we
can to help.)
For the first time, we got to perform with
a full ballet
company. Not knowing what to expect, our 6-piece band set up and
began playing.
We watched the thirty-plus dancers in the Cincinnati Ballet
explode, embrace
and embody our songs in front of our eyes. We couldn’t quite
believe what we
were seeing and feeling. And the audiences that poured into the
2700 seat hall
for three performances seemed to agree that they hadn’t
experienced anything
quite like it before either. (We’ll be doing this again in 2014
to celebrate
the 50th anniversary of this fine company.)
For the first time, we got to tour with one
of our
influences and American songwriting heroes, Lucinda Williams,
who also recorded
a duet with Karin on The Long Surrender.
And for the first time we had the
opportunity to play an
outdoor summer concert in our old namesake neighborhood of
Over-the-Rhine at
the newly renovated Washington Park. It was the first
performance in a green
space that sprawls in front of Music Hall, where our hometown
orchestra and
opera performs. We had no way of counting, but we were told that
approximately
7000 people streamed into the park and put down blankets and
listened to an
evening of music in what is still widely thought of as the “bad
part of town.”
The life of a traveling musician can be
exhausting. Robbie
Robertson called it “a goddam impossible way of life.” And like
many writers we
are sometimes tormented by thoughts that what we have done is
worthless, that
we have somehow failed. Failed to achieve wider recognition.
Failed to live up
to our full potential. We are not immune to moments of
self-pity.
On a good day, we silence those voices and
get back to work.
We lift a glass to the good moments along the way, and we lean
forward once
again into what we love, come what may. We try to tell the truth
and make it
rhyme.
Yes. The time has arrived for Over the
Rhine to get back to
the real work of recording our new songs. And once again we are
going to invite
you to come along for the ride, to bet on the muse, to be
surprised. We are
going to believe that there are still “firsts” out there to be
found. We are
going to continue the idea of together, offering something
beautiful, subversive
and soulful to the world. And we are going to up the ante this
time.
Why make a record together when we can make
two?
We have two projects that we’ve been
writing toward for the
last few years. The first is tentatively titled “The Farm.” It’s
a group of
songs that revolve around the last seven years that we’ve spent
in the rolling
fields of Highland County, Ohio, in an old pre-Civil War
farmhouse that we’ve
come to think of as home. We’re learning to call things by name
out here. And
when the time is right, we look forward to gathering you
together on the farm
and offering these songs to you on the very patch of earth that
they grew out
of. That, my friends, will certainly be a first.
The second project is a
Christmas/Wintertime/New Year’s
collection called, “Blood Oranges in the Snow.” It continues
what we started
with The Darkest Night of the Year and Snow Angels – records
that we hope
capture some of the reality of a beautiful, but often conflicted
and even
heartbreaking – time of year. Hopefully, we’ll make winter a
little more
soulful for those with ears to hear.
We are planning to release these projects
in the second half
of 2013.
We are hoping to take these two significant
creative steps
forward with you. We are hoping to create records that we are
all willing to
sign our names to. Call it a burgeoning, collaborative, musical
legacy.
Or maybe it’s just an acknowledgment of
what Karin has been
saying for years:
Without you, we’d be homeless.
We’ve come up with donation levels for each
project that can
fit any budget. We’ve tried to have fun with it, but also make
sure you’re
getting a good value for your money. But I guess at the end of
the day that
comes down to the songs.
Someone said that we need pastors and
priests to remind us
that one day we are going to die. But we need poets, writers and
singers to
remind us that we’re not dead yet.
Anybody still up for betting on the muse?
We hope you’ll
join us.
LET’S MAKE A RECORD. Or two…
Check out the brand new overtherhine.com
for all the
details.
Peace like a river, love like an (Ohio)
ocean,
Linford and Karin
P.S. Here’s some of what was written about
our last attempt
at communal art making. Special thanks to all of you who have
been asking, When
can we do it again? Rave on.
+++
THE LONG SURRENDER
”Twenty years after their recording
debut, rural
Ohio-based singer/songwriters Linford Detweiler and wife Karin
Bergquist and
their associates have delivered a set of mature, graceful and
sad songs that in
a just world will win them wider recognition. Working with
producer Joe Henry,
they use intimate, soulful arrangements to showcase
Bergquist’s achingly
beautiful voice.” —USA Today
“There may be no more soothing voice in
music than Karin
Bergquist’s. She could be interpreting jazz standards, but
fortunately she
applies that balm to her and husband Linford Detweiler’s
beautifully languid
originals, which invoke hard times and celebrate the survival
of the least fit
. . . when a Lucinda Williams duet isn’t even The Long Surrender’s high point, things have
gone very right.” —Entertainment
Weekly
“a
marvelously
evocative effort, one that recalls the torch song epiphanies
of
Billie Holiday, Sarah Vaughn and Ella Fitzgerald . . . Sparse,
sultry and yet
undeniably mesmerizing, The
Long
Surrender is a clear victory for all concerned.” —Blurt
“the
most
emotionally raw and musically nuanced [album] of the band’s
fine career
. . . Over the Rhine have pieced together
a lovely,
heartbreaking, and ultimately uplifting musical mosaic.” —Paste
* * * * (out of four)
“a work as exquisitely beautiful as Van
Morrison’s most
graceful efforts.” —Los Angeles Times
“Over the Rhine is one of the best husband/wife duos since
Richard and Linda
Thompson, and The Long
Surrender
proves it.” —Ink19.com
“Over the Rhine is your introspective
village preacher,
lonely and open, melancholy and rejoicing, bitter and
thankful.” —Christian
Science Monitor
“aggressively beautiful, like those ’60s
protesters
who confronted soldiers with flowers . . . it becomes useless to resist The Long Surrender.” —Newsday