State Press Magazine
November 18, 1993
by Jennifer Winslow
THE ART OF WRITING HONEST LYRICS
Sometimes a band just stands out. Out of the stacks of bios and CD's
pushed by record companies trying to get publicity for their new
talent, one band will stand alone above the countless others vying
for attention.
For me, the band was Over the Rhine. I had never heard of them
before their record company asked me to do an interview.
The bio was different: A set of eight postcards with artwork and
photographs on the front, and information about the band on the
back. One card was dedicated to providing a brief history of the
band. Another identified the members with one quote from each
written out beside their names. The rest of the information about
the band was given indirectly, sometimes through a quote from a
person who has influenced the band, sometimes through a band
member's journal entry.
Looking through the postcards and listening to the CD, it became
clear to me that this was not an ordinary band.
There is an honesty about Karin Bergquist, Ric Hordinski, Brian
Kelley and Linford Detweiler that comes through in their music and
lyrics. There are no rock star star egos and cliches. Over the Rhine
are just four friends who love to make music. They write about what
they know --their lives.
As I talked to Bergquist over the phone, I asked her whether the
songs were as personal as they appeared to be. She responded to that
and all my subsequent questions with a candor that typifies her and
her band's ability to turn life into music.
"Musically and lyrically, what's inspired the songs--we feel they're
just basically pages torn from our journals--and that's just about
as honest as we know how to be."
But for Bergquist, who never intended to write songs, this means
that her ideas that are put to music are very personal.
"For me, it's definitely personal. Most everything I think I've
written has just been some kind of reflection, a happy accident, or
something that I'm enjoying at the present time."
She envies bandmate Detweiler, who wrote most of the lyrics on their
first major label record, Patience, for his natural writing ability
that allows him to distance himself a bit more at times.
"I know that Linford, having the knack for writing, can write about
different characters and his imagination can just wander and he can
translate that into situations and poems and songs that really
aren't necessarily autobiographical. But I still think there's an
element of intimacy where we're all concerned when we write--it has
to mean something to us."
I wondered if all this intimacy had an impact on Bergquist when she
performs.
"There's a strange feeling when the night's over for me. I've heard
some performers say that they feel just this incredible high. For
me--maybe it's because a lot of what I'm doing is so personal--I
feel good, but usually when I'm done and I'm alone, I feel really
empty and very alone and very vulnerable. Drained. It's not
necessarily pleasant at all and there's moments I wonder why I'm
doing it."
"But then someone will say something after the show like, 'Oh, I
understand what you meant, I have so been there' so it's kind of
worth the nakedness for that, it really is."
Over the Rhine plays with Squeeze Tuesday at the Red River Opry.